WHAT PEOPLE ARE SAYING ABOUT POP PSYCHOLOGY


THE SHOW

“I popped into Davenport’s on Milwaukee Avenue in Wicker Park and caught Pop Psychology, which is a combination musical / performance / cabaret piece by Tony Rogers of The Good. I’ve been listening to Tony and his band The Good grow increasingly better at their craft of being pop musicians, but nothing really indicated to me that Tony would be out with a disc this good, and a performance that’s... it’s extraordinary. I laughed, I cried, I sang along. Unlike most concerts I've seen lately, I'd attend this again."
- Richard Milne, WXRT


ERROR ENDS IN PSYCH LESSON
By Paul Barile, Chicago Arts & Entertainment

Getting to a performance nearly three hours early can be catastrophic. When the venue is Davenport’s, that is never even an issue.The lovely waitstaff ushered me into the back room where Tony Rogers had just begun the evening’s performance of “Pop Psychology,” which runs at 7:30 p.m. every Saturday in June.

Tony Rogers is, if you will, an amalgam of Tom Cruise’s character in “Magnolia,” Woody Allen, and John Lennon. He is giving a “seminar” on relationships. Armed with his guitar and with the help of (Chicago musical mainstay) Steve Kouba, Rogers pokes fun at the seminar convention while offering relationship advice (some of which sounds pretty good). Rogers also uses an overhead projector and various slides as visual aids, which may explain why he is dressed like the audio-visual club kids we all knew in high school.

The evening begins with questionnaires that the audience fills out, because there are moments of audience participation and Rogers needs a little background on the crowd. He uses some of the answers on the questionnaires to help improvise lines for the songs he sings.

The songs, by the way, are hilarious - but not by way of cheap laugh. Rogers does not sacrifice his wit (too often) because he seems to know that these songs can stand on their own without stooping to base levels. There is much audience participation throughout the course of the evening - and this is one of the bravest audiences I have ever seen. He calls them “small, but mighty.” I call them a good-sized crowd of people who are not afraid to have a good time.

That is the key to the success of the show (and it will be a success): You can’t help but laugh out loud and feel good, even when you spot characteristics in yourself that … well … . Rogers has a way of making everything better, even if for only an hour or so in the back room of a bar on Milwaukee Avenue.

This is a show that will soon outgrow the conventional venues and be forced to travel around the world - and maybe end up on HBO. We’re lucky to have talent like this in Chicago and we are lucky that Davenport’s was our venue of introduction.


THE ALBUM

Rogers and company create addictive musical work
By Paul Barile, Chicago Arts and Entertainment

In the first 48 hours that Tony Rogers’ “Pop Psychology” (available now on Jumbo Records) was in my possession, I listened to it six complete times. Each time I heard something new and either funny or poignant or touching or...

Rogers, who seems to embody John Lennon mixed with early David Bowie and a bit of Tom Lehrer thrown in, masterminded this disc with a little help from his friends.

Pop Psychology is the soundtrack to the popular cabaret show of the same name. In the show, Rogers and (keyboard wizard) Steve Kouba play the music.

On the disc, there is a variety of musicians and backing vocalists, making for more orchestral and fully realized music.

You do not have to see the show to enjoy the music. You either have to have been in a relationship or have just left one, or are just about to enter one.

The lyrics are intelligent, witty, deft, and revelatory.

The music behind the lyrics is much of the same. His musical ideas are the stuff that most of us aspire to composing.

This is a show you shouldn’t miss—but if you absolutely cannot make it, get the disc and laugh and learn.

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